Letting someone read your screenplay is like standing naked in a doctor’s office.
You wouldn’t let a complete stranger examine you, but you would place your trust
in a qualified, well-established physician. You should demand the same
“board certified” qualifications from a script doctor too.

My Credentials:

 


LEO O’SULLIVAN

Over a decade’s experience as a script analyst for top flight film production companies, including Michael Mann’s Forward Pass (HEAT, THE INSIDER, COLLATERAL), FilmColony (SHE’S ALL THAT, THE CIDER HOUSE RULES, FINDING NEVERLAND) and DeMann Entertainment (THE LIFE AND DEATH OF PETER SELLERS).

Former development executive for Al Pacino’s Chal Productions, acting as
the sole script consultant on numerous projects (THE RECRUIT, THE GOLD COAST).

Private script consultant for major writers, directors and film companies, including Andrew Niccol (THE TRUMAN SHOW, LORD OF WAR) and The Sundance Institute. 

Former script consultant for Final Draft and Script Magazine’s story notes service, ScriptXpert.

Working screenwriter with two recently optioned scripts: the network MOW, MAYOR OF SHARK CITY and the feature, NAPOLEON’S CODE, which Al Pacino was attached to star in.

Masters in Film and Video from the University of Memphis.

Husband, father, statesman.

 

   
 
 
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Site Last Updated: July 25, 2009